Returning to the image of a flying slipper—a gesture suspended between reprimand and affection, between chaos and play—we find the essence of those messy, tender, and unpredictable bonds that Bennani so brilliantly captures in her work....
Returning to the image of a fl...
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After Siamo Foresta, an exhibition sponsored by the Fondation Cartier pour l'art contemporain, which brought to the Triennale an exemplary collection of indigenous works from the Amazon basin, as well as works by authors inspired by the aesthetics and politics surrounding the world's most famous...
After Siamo Foresta, an exhibi...
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Behind the hermetic title Your Payment Verification Code is 26QNFLU9, Ana Cardoso presents a research on painting and the act of painting on the walls of Renata Fabbri Gallery, Milan....
Behind the hermetic title Your...
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Autumn has brought Milan three exhibitions that make a difference; indeed, they deserve to be visited if the reader happens to be in the Italian city....
Autumn has brought Milan three...
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Approaching Domenico Gnoli’s art, a genius Italian master born in Rome (1933) and deceased in New York (1970) at the age of 37, is like entering a wonderful world.Gnoli is an outlier in international contemporary art: he was neither a realist, nor a surrealist; neither...
Approaching Domenico Gnoli’s...
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Sol LeWitt’s Wall Drawings (1928-2007), by themselves, justify visiting the new exhibition the Milanese gallery Massimo De Carlo dedicates to the great minimalist artist, in dialogue with his colleague McArthur Binion (b.1946).This is an exhibition that we could define as a “museological” jewel. After all,...
Sol LeWitt’s Wall Drawings (...
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In 1944, the Italian sculptor Arturo Martini wrote in Sculpture, dead language: “Sculpture will never be spontaneous among men. Nothing justifies its survival in today’s world. In the future, it will only fulfil commemorative and solemn purposes”.At a time when sculptures of more or less...
In 1944, the Italian sculptor ...
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In Milan, after several months of lockdown due to the pandemic, a somewhat strange spring has arrived, at least in the art world.While public museums continue to extend their winter exhibitions, contributing to a general vegetative climate that is much less bright than in Rome,...
In Milan, after several months...
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Built between 1934 and 1936 by architect Piero Portaluppi, the Casa Corbellini-Wassermann in Milan is one of the best-preserved rationalist buildings in the city. Since 2019, it is home to the second Milanese headquarters of the Massimo De Carlo gallery, which is also in London,...
Built between 1934 and 1936 by...
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The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest, and...
The Opening Response titles a...
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