Approaching Domenico Gnoli’s art, a genius Italian master born in Rome (1933) and deceased in New York (1970) at the age of 37, is like entering a wonderful world.Gnoli is an outlier in international contemporary art: he was neither a realist, nor a surrealist; neither...
Approaching Domenico Gnoli’s...
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Sol LeWitt’s Wall Drawings (1928-2007), by themselves, justify visiting the new exhibition the Milanese gallery Massimo De Carlo dedicates to the great minimalist artist, in dialogue with his colleague McArthur Binion (b.1946).This is an exhibition that we could define as a “museological” jewel. After all,...
Sol LeWitt’s Wall Drawings (...
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In 1944, the Italian sculptor Arturo Martini wrote in Sculpture, dead language: “Sculpture will never be spontaneous among men. Nothing justifies its survival in today’s world. In the future, it will only fulfil commemorative and solemn purposes”.At a time when sculptures of more or less...
In 1944, the Italian sculptor ...
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In Milan, after several months of lockdown due to the pandemic, a somewhat strange spring has arrived, at least in the art world.While public museums continue to extend their winter exhibitions, contributing to a general vegetative climate that is much less bright than in Rome,...
In Milan, after several months...
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Built between 1934 and 1936 by architect Piero Portaluppi, the Casa Corbellini-Wassermann in Milan is one of the best-preserved rationalist buildings in the city. Since 2019, it is home to the second Milanese headquarters of the Massimo De Carlo gallery, which is also in London,...
Built between 1934 and 1936 by...
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The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest, and...
The Opening Response titles a...
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The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest,...
The Opening Response titles a ...
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The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest,...
The Opening Response titles a ...
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A Leaf-Shaped Animal Draws The Hand is the intriguing title of Daniel Steegmann Mangrané’s new solo show, currently on view at Pirelli HangarBicocca, in Milan. The exhibition presents a comprehensive overview of the artist’s practice, spanning from the 1990s to the present and including works...
A Leaf-Shaped Animal Draws The...
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The over-exposed character of the new Combo space, in Milan, was the fuel behind the immersive installation The Dancing Followers by Luís Lázaro Matos. A small space, fully glazed, open to a large courtyard and a public garden. A sort of aquarium, perfect to see...
The over-exposed character of ...
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