A French-born contemporary photographer, graduated in painting from École Nationale Supérieure des Beaux-Arts, and in photography from Parsons School, Anne Lefebvre considers the photographic negative the very starting point and works photography based on the error of processing it, in a poetic effort blatantly clear...
A French-born contemporary pho...
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The title sets the tone of this puzzling solo show by Maumaus. The first part of it points out either to “losing altogether the rose-coloured glasses, the illusions, ingenuousness and inventiveness” or to “being released into the wild and confronted with the rude realities of...
The title sets the tone of thi...
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MAAT’s oval room is, as in many European museums, a room more geared towards experimentation. In other words, to works of art that cannot fit into the most common rooms or require that transfiguration, where barriers are needed. This is the case of this spatially...
MAAT’s oval room is, as in m...
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“Of course not, we have never lied to each other; when it’s necessary we just use words that lie for us”. José Saramago Presented as the second stage of the long-term project entitled Chain Reaction, this exhibition is based on a previous exhibition, Brief History of Portugal, that...
“Of course not, we have neve...
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The metaphor of the history of images is journey-driven. From conception to production, and then reproduction and repetition, the image is passively subjected to the spatiotemporal flow of human wills and perspectives. And if, until recently, contexts remained attached to images – liken subtitles of...
The metaphor of the history of...
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Ana Fonseca opens next 8 August, 6:30 pm, at Sociedade Nacional de Belas Artes, Lisbon, the exhibition Master Baker, a humorous and ironic portrait of modern society’s day-to-day contradictions.By resorting to the codes and symbols of fitness culture, crossing them with the overpowering appetites of...
Ana Fonseca opens next 8 Augus...
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Quantum Creole, exhibited at the Calouste Gulbenkian Museum – Project Space until 2 September, is the result of a long research process (approximately ten years) conducted by Filipa César in Guinea-Bissau, translated into other projects such as Spell Reel (2017), the first feature film by...
Quantum Creole, exhibited at t...
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We Didn´t Mean To Break It (But It’s Ok We Can Fix It). The title’s provocative tone echoes throughout the Pedro Cera gallery, through the works of five artists (Haiyang Wang, Joyce Ho, Poklong Anading, Mak Ying Tung 2, Filippo Sciascia) on display, addressing issues...
We Didn´t Mean To Break It (B...
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Às Nove a Caminho is the title of Sara Mealha’s solo exhibition that opened on June 7 at Galeria Balcony in Lisbon. With a background in painting, the artist relies on several different supports, having in mind the unique traits of each approach. Às Nove...
Às Nove a Caminho is the titl...
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She lived in images; she thought through images. She tasted every flavour and breathed a whole perfume cabinet bought over a lifetime. But it was the touch that told her who she was and where she belonged to; the touch was the moment of meaning.The...
She lived in images; she thoug...
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