The most extraordinary journey in the history of the arts took place in the imagination of a writer: at the age of 36, Jules Verne published Journey to the Centre of the Earth, without ever having visited the site of the story, Iceland. In relation...
The most extraordinary journey...
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A Nástio Mosquito's recipe“What was your last experience of 'black labour'?"The question is asked by Nástio Mosquito in his most recent exhibition No.One.Gives.A.Mosquito's.Ass.About.Trabalho.De.Preto, a collaborative and multidisciplinary project that gathers several individuals in the dissection and reframing of the expression “black labour”.The exhibition at Hangar,...
A Nástio Mosquito's recipe ...
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Galerias Municipais joined Diferença to celebrate the forty years of the cooperative, in an exhibition divided between the Quadrum gallery and the Diferença gallery, near Largo do Rato. This bipartite exhibition marks the beginning of Tobi Maier’s work as a curator at the Municipal Galleries,...
Galerias Municipais joined Dif...
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What is the impact of the ways of exhibiting art on the viewer’s experience? Should this experience be a shock or a comfort? Should it be personal or communal? What is the relationship between temporary and permanent exhibitions? Are solutions designed for some more likely...
What is the impact of the ways...
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The digital field is a labyrinth of texts, contexts, hypertexts, images and myths which construct and deconstruct fairly often, full of references, hyperlinks and different characters. It’s a labyrinth as dense as the labyrinth of the cosmos, as complex as the Daedalus labyrinth. Within this...
The digital field is a labyrin...
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As they do every so often, Sara & André, allow me, this time, to be accompanied by another artist. Sturtevant, or Elaine Sturtevant, passed away in 2014. But, for about five decades, she developed an ad continuum project that (fortunately) kept unfurling more questions and...
As they do every so often, Sar...
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Umbigo Magazine spoke to Francisca Aires Mateus about her work, Musica Humana, for which she was selected as a finalist of the 2019 edition of the Sonae Media Art Award.Inspired in part by the Proust Questionnaire, Musica Humana was produced by the formulation of code...
Umbigo Magazine spoke to Franc...
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Diogo Tudela, finalist of this year´s Sonae Media Art Prize, spoke to Umbigo Magazine about his work Collisions & Render Engines currently on show at Museu Nacional de Arte Contemporânea do Chiado.In Collisions & Render Engines Tudela seeks to discuss the intersections between media, entertainment and military complexes and the...
Diogo Tudela, finalist of this...
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Selected as one of five finalists for this year’s edition of the Sonae Media Art prize for his work Keystone I, II, III, IV, V, Rudolfo Quintas discusses our data mediated culture and the history, philosophy and applications of Artificial Intelligence within this digital era.The...
Selected as one of five finali...
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The plant growing through the concrete cracks is a triumph of the cosmos. As time advances, the inert gives way to wear; the wind adds the dust needed for germination; chance, carried by a bird, kicked by the foot, pushed by water, places the seed...
The plant growing through the ...
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