We are first faced with this question: ¿A Terra ainda é redonda? (Is the Earth still round?). We hop in and follow the journey, watching with curiosity and interest. Hoping to see it answered during Cristina Ataíde's first solo exhibition at Museu Nacional de Arte...
We are first faced with this q...
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The group exhibition Profanações is part of the Territórios cycle, the third instalment of this programme resulting from an alliance between Bruno Marchand, Fidelidade Arte and Culturgest. With each new exhibition, a new territory is ploughed under the research and process of a different curator....
The group exhibition Profanaç...
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The exhibition EXPERIMENTO COLETIVO: CONFLUÊNCIA urges us to completely revisit painting at its most proto-modern, by returning to the illusory resources of representation, or the use of volumes and shadows, whilst simultaneously remaining modern, through the vertiginous handling of colour, with broad, materical and thick...
The exhibition EXPERIMENTO COL...
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I am tempted by any text or artwork with the word "body" in it. I can't help it: if I find it in the title, I will read, I will attend, I will notice. In hindsight, I can almost identify the beginning of this addiction,...
I am tempted by any text or ar...
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Sound. Perceiving vibrations spreading through the air and bodies vibrating to generate them....
Sound. Perceiving vibrations s...
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Mariana Gomes presents the exhibition Neo-Pós-Neo until September 16 at Cristina Guerra-Contemporary Art, in the Estrela borough, Lisbon....
Mariana Gomes presents the exh...
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In Espaços da Recordação: Formas e Transformações da Memória Cultural, Aleida Assmann addresses two distinct forms of cultural memory: cumulative and functional. Cumulative memory refers to cataloguing, conserving and structuring, to institutions such as archives, libraries and museums, repositories that store and amass accounts of...
In Espaços da Recordação: F...
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Todo visível vem do invisível inaugurates Espaço Coleção, from Coleção de Arte Contemporânea da Fundação Altice. Curated by Adelaide Duarte, the exhibition features works by Alberto Carneiro, Álvaro Lapa, Ângelo de Sousa, Cabrita, Diogo Pimentão, Eduardo Batarda, Fernando Calhau, Helena Almeida, Inês Botelho, Joaquim Bravo,...
Todo visível vem do invisíve...
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SIMALA’s old plastics factory premises were Nuno Sousa Vieira’s shelter and studio for decades. The area was immense, with vast working grounds, never ignoring, retouching or erasing the passage of time and the shutdown of factory activities. Space, past and present, compounded by the built...
SIMALA’s old plastics factor...
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As a part of the human, whose ontological essence almost always seems to be tied to a territory (where we are born, occupy, and return to), home becomes an almost unperceived and unquestioned presence in our lives. However, because nothing is so certain that art...
As a part of the human, whose ...
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