We meet with Júlia Pereira in the concluding stage of her two-month residency in Lisbon (February and March of 2025) to discuss her interests, path, and the city’s influence on her creative momentum....
We meet with Júlia Pereira in...
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At Galeria Avenida da Índia, Uriel Orlow’s exhibition Memória Colateral unfolds like a sensory mapping of historical violence and of how memory is inscribed - or erased - within Western structures....
At Galeria Avenida da Índia, ...
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Architecture has established itself as a field that goes beyond construction, using its conceptual, social, technological and political instruments to analyse phenomena that are more or less evident or imperceptible. Ranging from local history to the recently coined hyperobjects, its practice is becoming closer to...
Architecture has established i...
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We haven't entered the exhibition yet and we can already foresee a sort of inconsistency, as we read later in one of his pieces. But if, at first glance, this text seems to announce a heteroclite visual universe, For Every Last Thing presents a formally...
We haven't entered the exhibit...
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The world of unfinished things. Not that this is about the incompletion of the work in Miguel Ângelo Marques' painting, but about a quest for new meanings, innovative passages, openings for a new painting, an urgency for new paradigms....
The world of unfinished things...
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Umbigo #92 begins the editorial plan for 2025 with the theme of Intimacy, exploring the small gestures of daily life, the private choreography of bodies, and the new forms of connections and relationships.The covers highlight the work of Júlia Ventura (profile by Maria Inês Augusto),...
Umbigo #92 begins the editoria...
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Nampula Macua Socialismo is a double historical event: it celebrates the fiftieth anniversary of Mozambique's independence (1975-2025) and the completion of an in-depth project by Manuel Santos Maia, bringing to a close "25 years of research into the history of his family's ties with Mozambique...
Nampula Macua Socialismo is a ...
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When writing, towards the end of a personal letter, the quote that gives its name to the exhibition at Fidelidade Arte curated by Marquise, Blaise Pascal elicits perhaps the most pearly artistic instinct - if time is bound up with entropy, would art not be...
When writing, towards the end ...
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On his latest birthday, on March 22, collector Armando Martins presented himself with one of the most extraordinary gifts: a museum bearing his name. Those who profited from this generous gift were the city of Lisbon, which has now acquired a new cultural venue. And...
On his latest birthday, on Mar...
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Vera Midões creates a pictorial universe that reveals itself as a game with no apparent pre-defined rules - a fluid chess that expands, where advances and retreats are executed in an unstable balance, in apparent chaos, between programmed strategy and chance. As coisas que se...
Vera Midões creates a pictori...
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