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Sharp View — Cristiana Morais

UMBIGO invited several photographers to develop a project from home showing their point of view of what the photography / editing of the future would look like, in quarantine times. Project by Cristiana Morais. Photography Assistant – Inês Laranjeira...

UMBIGO invited several photogr...

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Errata, by Nuno Moreira

Nuno Moreira is a photographer that has continuously privileged the monochrome and the language of portrayed bodies. Throughout his several exhibitions and published books, the portrayed body (and its shadow), as well as the landscapes and forgotten objects of daily life, engage a constant dialogue...

Nuno Moreira is a photographer...

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UMBIGO / THE CAVE PHOTOGRAPHY — #1

Curated by Rui Pinheiro and Miguel Refresco, THE CAVE PHOTOGRAPHY in collaboration with UMBIGO presents the project From my Window I see the World. THE CAVE PHOTOGRAPHY, a space dedicated to contemporary photography in the city of Porto, has been developing since March a collaborative...

Curated by Rui Pinheiro and Mi...

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Dora Maar, at the Tate Modern, London

Dora Maar (1907-1997), an artist who is best known for her surrealist photography, was forgotten in life. Only after her death was she remembered and appreciated.The retrospective of her work, until March 15 at the Tate Modern in London, shows much of this surrealist photography,...

Dora Maar (1907-1997), an arti...

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A building in Braga

The photos document an ancient building at the best known, historical street of Braga, between the city centre and the Theatro Circo. Situated at Avenida da Liberdade, this is a space filled with stories and histories to be to be told.On the ground floor, an...

The photos document an ancient...

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Theatro Circo

Full of stories and colours, this Theatre Circus makes us want to enter in a unique, surreal and burlesque environment. The breath-taking façade, with a mixture of toughness and seduction, is a fine line between elegance and roughness. The outcome is a charming and rather...

Full of stories and colours, t...

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