Centro de Artes de Águeda / Municipality of Águeda, together with the University of Aveiro and the Municipality of Albergaria-a-Velha as co-organizers, has been promoting, since January 14th, the second edition of O Desenho como Pensamento, with Alexandre Baptista as artistic director. Just like the...
Centro de Artes de Águeda / M...
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In downtown Porto, at Rua Sá da Bandeira 196, EDITORIA has been born, the city’s new cultural venue for breaking free of the centre and embracing turbidity. Conceived by Ana Carvalho, Alejandra Jaña, José Roseira and Paulo Mendes, the EDITORIA project has a diverse and...
In downtown Porto, at Rua Sá ...
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In Self-will Run Riot, Leonor Parda presents an installation with seven works from 2023. In an attempt to capture the euphoric moments preceding the melancholy of the morning after, it seems that something has happened - or is about to happen - in the environment...
In Self-will Run Riot, Leonor ...
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I “dive” into the darkness of the venue and I spot with some difficulty the work Bigwide (1991) by Michael Biberstein. The first room of the exhibition #Slow #Stop...
I “dive” into the darkness...
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Wanderlust at Artes – Mota Galiza, curated by Carlos Magalhães Pinto and Galeria Nave‘s director Mercedes Cerón, presents works by Arturo Comas, Francisco Correia, João Motta Guedes, Jon Gorospe, Martim Brion, Susana Rocha and Teresa Murta. The first collective show of these seven artists in...
Wanderlust at Artes – Mota G...
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Mafalda Ruão interviews Felix Vong, author of Umbigo’s cover of the month, a provocative voice that manifests itself through rebellious gestures combining punk-inspired illustrations and painting-statements, which reveal much more than what a superficial sight may lead us think. By looking closer, we will find...
Mafalda Ruão interviews Felix...
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Lisbon, 1968. Porto, 1987. Two landscapes and almost two decades physically divide Paulo Brighenti and David Correia Gonçalves. They meet halfway, between drawing and sculpture, in the village of Maceira. Then, at Brotéria. Braço Cruzado, inaugurated on March 31, puts three new creations of these...
Lisbon, 1968. Porto, 1987. Two...
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According to Giorgio Agamben, contemporaneity is an “anachronism that allows us to understand our time as a “too soon” that is also a “too late”, an “already” that is also a “not yet”[1]. This statement is quoted by Rémi Coignet in the opening text...
According to Giorgio Agamben, ...
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The issues of loneliness and isolation are increasingly relevant in contemporary society, especially after the collective experience of the COVID-19 pandemic. We have all experienced loneliness and isolation, whether in fleeting moments or profound feelings of disconnection with others. These are universal and timeless sentiments,...
The issues of loneliness and i...
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“Why should we go back to talking about witches?” is the provocative remark made by Sara Magno in the text of Pagan Days, Pedro Valdez Cardoso’s first solo exhibition, at NO·NO Gallery. With the nine pieces on display, the Lisbon artist offers clues not only...
“Why should we go back to ta...
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