A few days ago, I was reminded of Morandi. And today, with the bee, I'm reminded of Morandi again. I was reminded of Morandi a few days ago because sometimes, but rarely, I come across carelessly placed objects that remind me of his pictorial compositions....
A few days ago, I was reminded...
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The exhibition Canções para um burro morto, Mauro Cerqueira’s first solo venture, currently on display at CIAJG, shows the institution’s interest in representing peripheral pathways and expressions....
The exhibition Canções para ...
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We meet with Júlia Pereira in the concluding stage of her two-month residency in Lisbon (February and March of 2025) to discuss her interests, path, and the city’s influence on her creative momentum....
We meet with Júlia Pereira in...
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At Galeria Avenida da Índia, Uriel Orlow’s exhibition Memória Colateral unfolds like a sensory mapping of historical violence and of how memory is inscribed - or erased - within Western structures....
At Galeria Avenida da Índia, ...
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We haven't entered the exhibition yet and we can already foresee a sort of inconsistency, as we read later in one of his pieces. But if, at first glance, this text seems to announce a heteroclite visual universe, For Every Last Thing presents a formally...
We haven't entered the exhibit...
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Curated by Julia Coelho, Marta Mestre and Renan Araujo, the group exhibition Chão is found on floor -1 of the CIAJG. It starts with a curatorial movement, a shift in the exhibition experience from its traditional eye-level horizontality to a lower plane, using the floor...
Curated by Julia Coelho, Marta...
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The exhibition, Oh, Si Os Pudiera Escuchar, curated by Hans Ulrich Obrist and organized by Fundación Sandretto Re Rebaudengo Madrid (the Madrid counterpart to its Turin-based foundation), confronts us with something elusive, a conundrum that doesn’t fully resolve but instead holds together through a dark,...
The exhibition, Oh, Si Os Pudi...
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The world of unfinished things. Not that this is about the incompletion of the work in Miguel Ângelo Marques' painting, but about a quest for new meanings, innovative passages, openings for a new painting, an urgency for new paradigms....
The world of unfinished things...
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Umbigo #92 begins the editorial plan for 2025 with the theme of Intimacy, exploring the small gestures of daily life, the private choreography of bodies, and the new forms of connections and relationships.The covers highlight the work of Júlia Ventura (profile by Maria Inês Augusto),...
Umbigo #92 begins the editoria...
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Nampula Macua Socialismo is a double historical event: it celebrates the fiftieth anniversary of Mozambique's independence (1975-2025) and the completion of an in-depth project by Manuel Santos Maia, bringing to a close "25 years of research into the history of his family's ties with Mozambique...
Nampula Macua Socialismo is a ...
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