This is not a comprehensive tour, but a sample. Ana Cardoso's one-room exhibition, a finalist for the EDP Foundation New Artists prize at MAAT - Museum of Art, Architecture and Technology, the context behind the exhibition, is a trailer for all that is to come....
This is not a comprehensive to...
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I access Ana Silva exhibition Colecção Primavera-Verão on display at Culturgest, in Lisbon.At first, I am enraptured by the simple, metallic colours that cover high tubular structures and rise in space, punctuating the gallery. The slender span of the structures makes me aware of the...
I access Ana Silva exhibition ...
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Fernanda Fragateiro has been developing the Em Bruto: Relações Comoventes project since 2020, in which the artist's studio and the exhibition site create a unique connection. The creative process and its outcome come together in the museum setting, with each new presentation creating a different...
Fernanda Fragateiro has been d...
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How to start your own country: five ways to begin today. It could be tongue-in-cheek, a sort of wordplay that dismisses the proliferation of modern manuals such as "how to start a business when you’re still a student", "the five steps to success" or even...
How to start your own country:...
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It starts off as a lullaby, the song Dors petit dors by French rapper JuL. Widely played by young French people, the track narrates the experience of a child living in the suburbs and having grown up in an unstable family environment. Sara Sadik named...
It starts off as a lullaby, th...
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We are first faced with this question: ¿A Terra ainda é redonda? (Is the Earth still round?). We hop in and follow the journey, watching with curiosity and interest. Hoping to see it answered during Cristina Ataíde's first solo exhibition at Museu Nacional de Arte...
We are first faced with this q...
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The group exhibition Profanações is part of the Territórios cycle, the third instalment of this programme resulting from an alliance between Bruno Marchand, Fidelidade Arte and Culturgest. With each new exhibition, a new territory is ploughed under the research and process of a different curator....
The group exhibition Profanaç...
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Aurélia de Souza: As Casas, at Museu Nacional Soares dos Reis, curated and authored by photographer Rui Pinheiro, introduces us to the work of Porto's nineteenth-century painter from a different perspective: within her collectors' households....
Aurélia de Souza: As Casas, a...
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The exhibition EXPERIMENTO COLETIVO: CONFLUÊNCIA urges us to completely revisit painting at its most proto-modern, by returning to the illusory resources of representation, or the use of volumes and shadows, whilst simultaneously remaining modern, through the vertiginous handling of colour, with broad, materical and thick...
The exhibition EXPERIMENTO COL...
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Interstício, an exhibition by Inês Moura at Centro de Artes Visuais [CAV], in Coimbra, is essentially an exercise in absentia....
Interstício, an exhibition by...
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