Having been around for half a century, the roots of Galeria Quadrum can be traced back to the woman who founded it and her passion for art: Dulce D'Agro (1915-2021). Celebrating the anniversary of this venue and the memory of its founder, artist Paulo Mendes...
Having been around for half a ...
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Febre by António Júlio Duarte, on display in the Contemporary Gallery of Museu de Arte de Serralves and Capela da Casa, conceived by the photographer and curator Paula Fernandes, brings together works made between 2019 and 2022 (during the COVID-19 pandemic), characterised by the particular...
Febre by António Júlio Duart...
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In 2020, aDrogaria, a project born in Porto, set up its temporary headquarters in Lisbon, at ARBAG. Founded in the former Drogaria da Corujeira, the collective project is built on a collaborative hybridism that privileges de-hierarchisation, both conceptually and with regard to the areas it...
In 2020, aDrogaria, a project ...
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(Português) Um ecossistema cultural chamado sertão por uma Bienal que “educa a paisagem”. Sobre a 6ª edição da Bienal do Sertão, no Centro Cultural Banco do Nordeste Cariri, até 31 de outubro....
(Português) Um ecossistema cu...
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From Portuguese "Para inglês ver", something superficial done for the purpose of appearance.On the second floor of the The Africa Centre, south of the Thames, in a room painted navy blue, the temporal balance of past, present and future that is the work of...
From Portuguese "Para inglês ...
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Paper as a support and drawing as a means of restlessness, meaning and fado. These are Drawing Room Lisboa's chief hosts, who recognise the act of drawing as a loyal companion of Humanity....
Paper as a support and drawing...
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Miguel Branco's Blue Angel exhibition is entirely grouped on a single wall to the left of the gallery....
Miguel Branco's Blue Angel exh...
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«Death for me is the difference between being and not being anymore». This quote by José Saramago is apparently a good reflection of the spirit of ALBO, by Rui Aleixo, curated by Jorge Reis, which was inaugurated on September 28 at EMERGE's Casa Azul....
«Death for me is the differen...
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Pardon my indiscretion, but perhaps under the influence of the existential burden cast by the question that João Motta Guedes raises with the title of his first solo exhibition at Galeria NAVE, How to live?, my first encounter with the exhibition venue had, as opposed...
Pardon my indiscretion, but pe...
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Weaving has emerged today as a platform for a discourse on contemporaneity. By interweaving threads, it can also be defined as an encounter between disciplines or new ways of perceiving....
Weaving has emerged today as a...
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