There is one overriding question underlying the Observatório dos Rios project, launched in 2023 by the Guarda Rios collective: "what is a river?"....
There is one overriding questi...
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Moeda Viva [Living Currency] is the latest exhibition to be held at Galeria Quadrum. Curated by Maria do Mar Fazenda, its central theme, as the title suggests, is money....
Moeda Viva [Living Currency] i...
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From a collective and emancipatory standpoint, the exhibition forms of the surrounding futures, curated by João Laia and on show at Galeria Municipal do Porto, offers an alignment of different positions, narratives and agencies which, through a nonconformist kinship, embody themselves in the present....
From a collective and emancipa...
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In Terracotta, Marta Castelo dismisses hierarchy, division, history and even representation in the arts by exhibiting (modular and) modelled drawings in clay. On the four walls of a room in the nineteenth-century Valada-Azambuja mansion - which now houses Biblioteca Camões -, there are geometric volumes...
In Terracotta, Marta Castelo d...
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Surdo, cuíca, chocalho, pandeiro, agogô, repique: one does not need to know the instruments' vocabulary by heart to enjoy Ernesto Neto's fun. Neither one needs to be Brazilian, know how to play nor have any sense of rhythm....
Surdo, cuíca, chocalho, pande...
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After having established itself in Lisbon back in 2017, Monitor is now presenting its first group exhibition in Rome, curated by Mattia Tosti and featuring Portuguese artists....
After having established itsel...
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The blood of fellow labourers, brothers who fatally perish in the ore extraction industry: non-healing wounds. From these wounds, and others, artist and curator Paulo Mendes presents "...
The blood of fellow labourers,...
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Ovid writes early in his Metamorphoses that our world originally experienced a flood that led to a large swamp. All things were gestated in this sun-warmed clay, including you, admirable Python, colossal serpent and Apollo's nemesis....
Ovid writes early in his Metam...
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We are now at the height of the sporting calendar. A bit like the seasons, sports events are cyclical and there is really no way of dodging them....
We are now at the height of th...
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Yoshitomo Nara says he's afraid of changing. His current exhibition at the Guggenheim Museum Bilbao, however, shows us an artistic production that, over the course of forty years, has courageously and humbly unfolded across different scales, techniques, formats and tonalities....
Yoshitomo Nara says he's afrai...
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