Wanting to know the formula of art is as prepotent as wanting to know the formula of life. This does not mean that there are no patterns, behaviours or unknowns capable of being revealed by calculation and logic – a poetic and comprehensive logic, capable...
Wanting to know the formula of...
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Objects Recognized in Flashes, currently on view at MUMOK, testifies to the ambiguities in processes of visualisation; in the subtle state-changes between the static and the fluid in generating images. The four artists showing work – Eileen Quinlan, Michele Abeles, Josephine Pryde, and Annette Kelm...
Objects Recognized in Flashes,...
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Stephen Kaltenbach’s work is about time: how it changes everything, how insights take shape over a lifetime, how identity evolves slowly, how values shift, or deepen, or both. He made this interest literal by creating many time capsules over his career: sealed metal receptacles etched...
Stephen Kaltenbach’s work is...
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In our attempts to understand that which has come and gone before us, we have always looked to the cultural artefacts and heirlooms that have remained after the processes of time have enacted upon them.Yet, upon examining these artefacts; a terracotta vase, a papyrus scripture,...
In our attempts to understand ...
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Without a permanent collection, but based on dialogues and crossed perspectives, the Atelier-Museu Júlio Pomar continues the exhibition program that has transformed the work of the deceased artist into a constant novelty. Now, Hugo Canoilas (re)activates Júlio Pomar’s work, taking it to the end of...
Without a permanent collection...
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The most extraordinary journey in the history of the arts took place in the imagination of a writer: at the age of 36, Jules Verne published Journey to the Centre of the Earth, without ever having visited the site of the story, Iceland. In relation...
The most extraordinary journey...
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A Nástio Mosquito's recipe“What was your last experience of 'black labour'?"The question is asked by Nástio Mosquito in his most recent exhibition No.One.Gives.A.Mosquito's.Ass.About.Trabalho.De.Preto, a collaborative and multidisciplinary project that gathers several individuals in the dissection and reframing of the expression “black labour”.The exhibition at Hangar,...
A Nástio Mosquito's recipe ...
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Galerias Municipais joined Diferença to celebrate the forty years of the cooperative, in an exhibition divided between the Quadrum gallery and the Diferença gallery, near Largo do Rato. This bipartite exhibition marks the beginning of Tobi Maier’s work as a curator at the Municipal Galleries,...
Galerias Municipais joined Dif...
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What is the impact of the ways of exhibiting art on the viewer’s experience? Should this experience be a shock or a comfort? Should it be personal or communal? What is the relationship between temporary and permanent exhibitions? Are solutions designed for some more likely...
What is the impact of the ways...
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The digital field is a labyrinth of texts, contexts, hypertexts, images and myths which construct and deconstruct fairly often, full of references, hyperlinks and different characters. It’s a labyrinth as dense as the labyrinth of the cosmos, as complex as the Daedalus labyrinth. Within this...
The digital field is a labyrin...
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