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IRL Stories: Chatting with Ghetthoven

The world has overcome long isolation periods imposed by governments in light of the global pandemic that, to date, has caused more than one million deaths. Cultural venues have indefinitely or even permanently closed down their stages, dance floors and exhibition spaces leaving an entire...

The world has overcome long is...

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Deep Line, by Nuno Sousa Vieira

The death of the gods starts with the birth of the sciences as founding, factual and fundamental disciplines of the being.Meanwhile, the death of magical thought bifurcated in the death of the gods and an approach to the poetic and phenomenological thought – here, no...

The death of the gods starts w...

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Lo demás, yo mismo, by Fernando Clemente

Art is a porous construction, which absorbs the environment that transforms it and shapes it, in a relationship between artist, mediator and observer. And in this porosity, and its inner layers and strata, there is an intellectual and intuitive content that dissects the whole relationship...

Art is a porous construction, ...

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The Opening Response: Coco Fusco

The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest,...

The Opening Response titles a ...

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Mauro Pinto, Blackmoney

The exhibition Blackmoney is currently at Galeria 111 until November 7. Mauro Pinto, born in 1947 in Maputo, shows us what we all already virtually know. Something that, with virtuosity, we have forgotten - the tool-man, the means-to-a-bigger-end-man. A man who, all over the globe,...

The exhibition Blackmoney is c...

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