The comma has rules, but also subjective interpretations; it has a variable function; it carries a time in it, an erratic one. Before but, you have one; rarely before the and, except, of course, when there is a mobile group or one made of different...
The comma has rules, but also ...
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The Millenium BCP Foundation and Carpe Diem Arte e Pesquisa continue the effort of supporting young artist recently graduated – with a trip to a European city, an inclusion into an artistic event, and the continuation of their professional graduation – and the organization of...
The Millenium BCP Foundation a...
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Julião Sarmento is one of Portugal’s most renowned contemporary artists, with a remarkable work in quantity and quality. He has dozens and dozens of national and international exhibitions, attesting an impressive number of his works.However, many pieces were never exhibited, unseen work which was never...
Julião Sarmento is one of Por...
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“My conscience is perfectly aligned with the horizon and is borne from oil.” Nikolai NekhMy conscience is oil – perhaps the most concise statement of Nikolai Nekh’s work – is the acknowledgement of a turning point of an ontological perspective on the man. Before this...
“My conscience is perfectly ...
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An artistic manifestation, in the strict sense of the term, requires many names; many voices. It requires diversity and multiplicity; number and gender; and, above all, a variety of expressions, techniques and means used by those names, voices, artists. The unambiguous or convergent overtone of...
An artistic manifestation, in ...
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Contemporaneity has given more independence and autonomy to the creation of artistic projects and platforms. The bond between exhibitions and the institutional constraints of museums and galleries is no longer dominant, opening up space for dialogs between other venues and works of art. In this...
Contemporaneity has given more...
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The Jardins Efémeros project is about to reach its eighth edition, an example of resilience in the contemporary art of Viseu. Over the years, this project/platform has tried to solidify relations between artists, curators, researchers and citizens, using at the same time the city’s iconic spaces...
The Jardins Efémeros project ...
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Casa Pau-Brasil welcomes the exhibition Disciplina de Ver [Discipline of Seeing], by Paula Clerman and curated by Thiago Verardi.Clerman works the space and time, specifically the space that have been relinquished to time. Alternatively, she works the architecture of spaces in their lonely or eager dimensions, spaces that are waiting to be...
Casa Pau-Brasil welcomes the e...
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When we visit Manuel Rosa’s anthological exhibition at the National Society of Fine Arts, we are at first affected, impressed, impregnated by the transparent silent curtain of the 66 exhibited works.Albeit the profusion of materials used – limestone, clay, plaster, bronze, iron, moulding sand, glass, etc. – and despite their thematic and formal diversity, these sculptures coexist harmoniously in...
When we visit Manuel Rosa’s...
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Text by Sebnem SoherTwo weeks ago, as a part of the group exhibition ECO (DA IDEIA À OBRA DE ARTE)[1] in Galeria Liminare, Diogo Bolota, one of the participating artists repeated a former performance of him. Three years ago, he was invited to do the...
Text by Sebnem SoherTwo we...
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