In the beginning was the word. At the dawn of the scene, even before the hero, stood the chorus. Much has been written about its many‑sided role in Greek tragedy: poised between an ‘ideal spectator’, charged merely with commenting on the unfolding story, and a...
In the beginning was the word....
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I question myself, and try to engage the world not only through symbols, literature and the possibilities of my body, but also through my art — in them, I seek not the ultimate truth, but a truth I could live with....
I question myself, and try to ...
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At Galeria Avenida da Índia, Uriel Orlow’s exhibition Memória Colateral unfolds like a sensory mapping of historical violence and of how memory is inscribed - or erased - within Western structures....
At Galeria Avenida da Índia, ...
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The exhibition, Oh, Si Os Pudiera Escuchar, curated by Hans Ulrich Obrist and organized by Fundación Sandretto Re Rebaudengo Madrid (the Madrid counterpart to its Turin-based foundation), confronts us with something elusive, a conundrum that doesn’t fully resolve but instead holds together through a dark,...
The exhibition, Oh, Si Os Pudi...
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The world of unfinished things. Not that this is about the incompletion of the work in Miguel Ângelo Marques' painting, but about a quest for new meanings, innovative passages, openings for a new painting, an urgency for new paradigms....
The world of unfinished things...
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Nampula Macua Socialismo is a double historical event: it celebrates the fiftieth anniversary of Mozambique's independence (1975-2025) and the completion of an in-depth project by Manuel Santos Maia, bringing to a close "25 years of research into the history of his family's ties with Mozambique...
Nampula Macua Socialismo is a ...
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When writing, towards the end of a personal letter, the quote that gives its name to the exhibition at Fidelidade Arte curated by Marquise, Blaise Pascal elicits perhaps the most pearly artistic instinct - if time is bound up with entropy, would art not be...
When writing, towards the end ...
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On his latest birthday, on March 22, collector Armando Martins presented himself with one of the most extraordinary gifts: a museum bearing his name. Those who profited from this generous gift were the city of Lisbon, which has now acquired a new cultural venue. And...
On his latest birthday, on Mar...
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Much like a walk or a book that we flick through, in a narrative that builds with each passage, we walk through the different rooms that, like fragments, form the exhibition El Lenguage de las cosas mudas, by Susanne S.D. Themlitz (1968), on show at...
Much like a walk or a book tha...
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Vera Midões creates a pictorial universe that reveals itself as a game with no apparent pre-defined rules - a fluid chess that expands, where advances and retreats are executed in an unstable balance, in apparent chaos, between programmed strategy and chance. As coisas que se...
Vera Midões creates a pictori...
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