Galeria Carlos Carvalho, curated by João Silvério, presents the solo exhibition Naturfatura by Catarina Leitão, where the artist proposes a reflection on nature through a curious proximity between art and science, with drawings and sculptures that approach nature analytically....
Galeria Carlos Carvalho, curat...
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Fertile Futures, “a sustainable fertilizer of hope”, on Portuguese Official Representation at the 18th International Architecture Exhibition - La Biennale di Venezia 2023....
Fertile Futures, “a sustaina...
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In Self-will Run Riot, Leonor Parda presents an installation with seven works from 2023. In an attempt to capture the euphoric moments preceding the melancholy of the morning after, it seems that something has happened - or is about to happen - in the environment...
In Self-will Run Riot, Leonor ...
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I “dive” into the darkness of the venue and I spot with some difficulty the work Bigwide (1991) by Michael Biberstein. The first room of the exhibition #Slow #Stop...
I “dive” into the darkness...
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Mafalda Ruão interviews Felix Vong, author of Umbigo’s cover of the month, a provocative voice that manifests itself through rebellious gestures combining punk-inspired illustrations and painting-statements, which reveal much more than what a superficial sight may lead us think. By looking closer, we will find...
Mafalda Ruão interviews Felix...
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According to Giorgio Agamben, contemporaneity is an “anachronism that allows us to understand our time as a “too soon” that is also a “too late”, an “already” that is also a “not yet”[1]. This statement is quoted by Rémi Coignet in the opening text...
According to Giorgio Agamben, ...
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“Why should we go back to talking about witches?” is the provocative remark made by Sara Magno in the text of Pagan Days, Pedro Valdez Cardoso’s first solo exhibition, at NO·NO Gallery. With the nine pieces on display, the Lisbon artist offers clues not only...
“Why should we go back to ta...
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Two premises are usually part of any photographic understanding: the supposed epistemological guarantee of reality and the paradoxical relationship with death, from the temporal disruption....
Two premises are usually part ...
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It was born as Appleton Square, added a Box, then a Garage, and today it continues to reinvent itself. Appleton is a venue that brings today’s art world into context through the seamless coming together of different artistic pursuits, including visual and performing arts with...
It was born as Appleton Square...
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Brazilian Wax is the result of the artistic residency EMERGE Carnaval de Torres Vedras 100 anos, conceived and produced by EMERGE, which invited Gustavo von Ha (a Brazilian artist not living in Portugal) to create visual and performative works, regarding the city’s carnival background; and...
Brazilian Wax is the result of...
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