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The Opening Response: Delia Jürgens

The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest, and...

The Opening Response titles a...

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Speculative Intimacy, by Alicia Kopf

As transpired by the title, Speculative Intimacy is an exhibition of conjectures. An extensive research that, through different materials and languages, presents videos and installations, with pop culture references, shared experiences, and exchanges of scientific-quasi-scientific emails. The aim is to create a broad discourse on...

As transpired by the title, Sp...

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IRL Stories: Chatting with Ghetthoven

The world has overcome long isolation periods in light of the global pandemic that, to date, has caused more than one million deaths. Cultural venues have indefinitely closed down their stages, dance floors and exhibition spaces leaving an entire creative industry at risk of survival....

The world has overcome long is...

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Deep Line, by Nuno Sousa Vieira

The death of the gods starts with the birth of the sciences as founding, factual and fundamental disciplines of the being.Meanwhile, the death of magical thought bifurcated in the death of the gods and an approach to the poetic and phenomenological thought – here, no...

The death of the gods starts w...

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The Opening Response: Coco Fusco

The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest,...

The Opening Response titles a ...

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Mauro Pinto, Blackmoney

The exhibition Blackmoney is currently at Galeria 111 until November 7. Mauro Pinto, born in 1947 in Maputo, shows us what we all already virtually know. Something that, with virtuosity, we have forgotten - the tool-man, the means-to-a-bigger-end-man. A man who, all over the globe,...

The exhibition Blackmoney is c...

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