As we enter La Fab, walking through the La collection wing, we encounter a series of works by Korine displayed in such a way that they shift between the already mentioned ghostliness and the second crucial element for the artist's cinema and production: space....
As we enter La Fab, walking th...
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Housed at Lisbon's Jahn und Jahn gallery, the exhibition Flaming Loneliness bears witness to this style of work, based on exploring a kind of abstract realism. Using his experimental practice, the German artist develops a visual poetry consisting of collapse and hope at the same...
Housed at Lisbon's Jahn und Ja...
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Studio and factory came together, and paint, disposable materials and other industrial leftovers merged to provide the creative material. It may appear that between the two realities, originality and resourcefulness, are several steps apart, but this year there was evidence of their kinship....
Studio and factory came togeth...
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If, in the birthing stones, the biotite nodules are detached from the granite matrix, Senra's work releases the word from its utterer and transforms it into an independent body. Nevertheless, this separation is not without its scars. There are traces of what is now absent...
If, in the birthing stones, th...
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The exhibition Na Fragilidade do que Persiste, which brings together works by Eduardo Freitas, Jéssica Burrinha and Mariana Maia Rocha, seems to be one of those unexpected encounters that start a torrential chain of contiguities. The three young artists, hitherto unknown to each other, find...
The exhibition Na Fragilidade ...
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Sabine Hornig explores the plastic and political implications of transparency in The Matter of the Glazed Fence. Not for nothing, matter in the title of the show means question as well: in a scenario of social unrest gripped by conservative, anti-migrant and hygienic policies, what...
Sabine Hornig explores the pla...
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The instant doesn't belong to the past or the future. It becomes latent matter, an open moment in space and time. José Pedro Cortes' photographs inhabit precisely this territory, and this is not an accident, but their essential condition....
The instant doesn't belong to ...
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To be in Ignasi Aballí's exhibition is like stepping back into the moment when our eyes first opened and we were pushed to arrange the world that already existed and, at the same time, to tackle the emptiness around what we call home: to look...
To be in Ignasi Aballí's exhi...
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I begin this text about Retomar o Passo - Luísa Salvador's first solo exhibition at Galeria Foco - with Caligrafias do Deserto (2025), a work in which I found myself submerged in words, in a suspended time, without coordinates....
I begin this text about Retoma...
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Returning to the image of a flying slipper—a gesture suspended between reprimand and affection, between chaos and play—we find the essence of those messy, tender, and unpredictable bonds that Bennani so brilliantly captures in her work....
Returning to the image of a fl...
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