When we enter Travessa da Ermida, we find a large drawing on a canvas on the ground: we see a long tree, with its branches cut off except at the top. It reminds us of a tall, slender but unprotected body. Below, hints of a...
When we enter Travessa da Ermi...
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A breeze on the face, a gust on the body, the hands of the wind making gestures on the skin. In a fluid movement, the instant remains, as the cycle continuously manifests itself in matter as flow and not as a return.Time is becoming and...
A breeze on the face, a gust o...
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Inaugurated on October 30, 2021, aDrogaria is Porto’s newest cultural project. For one year, in a cycle of five exhibition projects, it will present the work of national and international contemporary artists.aDrogaria does not have its own venue, but this exhibition cycle can be visited...
Inaugurated on October 30, 202...
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2021 is a turning point for UmbigoLAB.After an expected postponement, the partnership with the ArtWorks art residencies programme comes to fruition. Diogo da Cruz was selected and presents – on the occasion of a solo show at Forum Arte Braga until November 23 – an important...
2021 is a turning point for U...
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After a silent year, MADEIRADiG is back. The beginning of December resumes the way it has been since 2004: a trip to the best exploratory electronic music.Always a paradise. Madeira is ready to be discovered and to marvel many, even those who return as if...
After a silent year, MADEIRADi...
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Seres Vulneráveis/Vulnerable Beings, Tuning In is the first of two public assemblies curated by Andre Bagnato and Ivan L. Munuera at the MAAT - Museum of Art, Architecture and Technology in Lisbon.This programming is a consequence of the identification of human vulnerabilities to pandemics and...
Seres Vulneráveis/Vulnerable ...
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PANDEMIC - I Don’t Know Karate, but I Know Ka-Razor! by Filipe Marques, curated by Isabeli Santiago & Juan Luis Toboso, is the consequence of a proposal made to the artist by the Municipal Gallery of Porto[2] in 2019, about viral themes in his artistic...
PANDEMIC - I Don’t Know Kara...
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With brilliant, mediocre, insensitive, or protesting ideas, artists insist on daily studio work, choosing to ignore the crisis that is brewing or contributing to its critique (depending on the point of view). From a historical standpoint, art reflects issues of contemporary social and political life....
With brilliant, mediocre, inse...
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“Previsão de Deriva [Drift Forecast] emerges in the scientific method that the navy used to predict where a castaway is. Everything that falls into the water has a different wake. Based on the various conditions and type of vessel, a software can predict the location...
“Previsão de Deriva [Drift ...
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On the first floor of Galeria Municipal do Porto, the exhibition by Spanish artist, curator and researcher Pedro G. Romero questions and analyses nomadic ways of life, particularly gipsy, flamenco, and libertarian exile peoples.In an extensive research effort on the concept of the new Babylonians,...
On the first floor of Galeria ...
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