Sacks’ The Man Who Mistook His Wife for a Hat and Carroll’s The Mad Gardener’s Song have a common denominator. They share a seeming disconnection, just as the exhibition Mistifório curated by Natxo Checa produces an extraordinary syntax....
Sacks’ The Man Who Mistook H...
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Denilson Baniwa, according to the grading of the Brazilian magazine Artequeacontece, was one of the most outstanding artists in the country in 2022....
Denilson Baniwa, according to ...
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In an opening dialogue of Stalker (1979), a film by Andrei Tarkovsky, one of the three characters who sets off to discover the Zone, a place thought to grant the innermost desires, laments that the world, ruled by reason, has renounced belief in wonder and...
In an opening dialogue of Stal...
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Mafalda Ruao interviews Patricia Rubio, author of Umbigo’s January cover. She finds in plaster the appropriate vector to remember the past, analysing the wound that will reveal paths and phantoms. A history that, though easily forgotten, will be forever preserved in the carcass of the...
Mafalda Ruao interviews Patric...
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Luís Paulo Costa works on painting as an echo of something that already exists. He paints on photographic images out of necessity, an attempt to better understand things or perhaps the world, as he told us a while ago about his solo exhibition Eco |...
Luís Paulo Costa works on pai...
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The exhibition Loló Soldevilla, Parisian Collages from 1953 to 1970 is on show at Rui Freire - Fine Art gallery....
The exhibition Loló Soldevill...
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What is the bridge between some 19th-century tiles and a medieval literary genre? These are the two essential elements of an exhibition inaugurated last November 11, in Belas, Sintra.How? Well, let’s find out....
What is the bridge between som...
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Echoes of Nature is an exhibition that is on display at the National Museum of Contemporary Art in Chiado, evocative of the most recent career of the artist and photographer Manuela Marques....
Echoes of Nature is an exhibit...
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Following a cycle that borrows works from several private collections, Centre for Contemporary Art of Coimbra presents the exhibition Que te seja leve o peso das estrelas until January 22, curated by José Maçãs de Carvalho....
Following a cycle that borrows...
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There is an experimentation lab in Maat’s oval room. It could be the stage sitting for a NASA test programme or perhaps the scene of a sci-fi plot, but it is a retrospective of Didier Fiúza Faustino’s (France, 1968) work over the last three decades....
There is an experimentation la...
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