No meio do caminho tinha um osso, tinha um osso no meio do caminho – or the expeditionary adventure of Pedro Valdez Cardoso

The history of the contemporary art has been acknowledging a generalized appropriationist trend in the artistic practice field, dwelling – repeatedly, it must be said – on the incorporation of the archeologic, ethnographic, cartographic, documental or archival imagery. Indeed, the contemporary artist has been, eagerly...

The history of the contemporar...

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