Between mid and late November, Appleton presented three curatorial proposals for its two spaces, Square and Box. Although profoundly heterogeneous, the projects on display are based on a structural axis - synaesthesia....
Between mid and late November,...
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We travelled to São Miguel, in the Azores, for the Kick-Off of the Walk and Talk Arts Biennial, a project founded in 2011 in the form of an annual festival in July - but which now promises a more prolonged, involved and deep-rooted format....
We travelled to São Miguel, i...
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Acloc O'clock provides a very clear coherence on the incoherence, inconstancy or inconsistency of the contemporary being - within a global world driven by capital and Western ‘morality’....
Acloc O'clock provides a very ...
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But, moooom, I don’t know how to read! Then read the instructions! Those were the first things I heard when I entered Parque da Liberdade (the former Ski Skate Park) in Amadora, where the 35th edition of the Amadora BD International Comic Festival took place...
But, moooom, I don’t know ho...
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In Bartolomeu Santos' Friend and Foe, the emphasis is apparently on the copulative conjunction “and”, establishing an affinity and complicity between the antagonistic concepts “friend” and “ foe”....
In Bartolomeu Santos' Friend a...
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In this exhibition, Sara Fonseca da Graça, or Petra Preta, brings together a three-part overview of her artistic output over the last three years. In other words, it offers a trilogy of some of her cross-disciplinary pieces that form her library of images, which have...
In this exhibition, Sara Fonse...
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Pedro Sequeira (b. 1976, Cinfaes, Portugal) works under the principle of the autonomy of creation, that is, under the premise that creativity-activity does not just correspond to the productivity of the imagination, but to production. In Sequeira's work, the conception of this creativity emerges in...
Pedro Sequeira (b. 1976, Cinfa...
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What is art if not time felt, made real in space - or the embodiment of time perceived, acknowledged in space? With that said, I'm not speaking of the Hegelian Zeitgeist, much less the Rieglian Kunstwollen, but rather of the concept of a threshold between...
What is art if not time felt, ...
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In Terracotta, Marta Castelo dismisses hierarchy, division, history and even representation in the arts by exhibiting (modular and) modelled drawings in clay. On the four walls of a room in the nineteenth-century Valada-Azambuja mansion - which now houses Biblioteca Camões -, there are geometric volumes...
In Terracotta, Marta Castelo d...
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(Português) Joanna Piotrowska transporta as propriedades conceptuais da fotografia —e simultaneamente da memória— para a sua esfera formal. Essa circunstância é evidente imediatamente após a entrada no espaço da galeria....
(Português) Joanna Piotrowska...
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