In Public, the Australian Gerry Bibby forces art to look outside. The whole area of Maumaus’ Lumiar Cité is somehow turned inside out and the exhibition is geared towards the exterior, taking advantage of the gallery’s glass walls.Since the space itself seems to have been...
In Public, the Australian Gerr...
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Diogo Evangelista works in the field of installation, relying on video or sculpture, but always using a pictorial basis as his starting point. In Organic Machinery, we can see the drawings, although, in this case, the homonymous video was the trigger of the whole set...
Diogo Evangelista works in the...
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There are countless exhibitions whose curators are crucial for their inception and some may even be considered curator exhibitions, such is their relevance, either by choice or because the exhibition came to fruition after the artist has accepted the curator’s invitation.Al Cartio and Constance Ruth...
There are countless exhibition...
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Sculpture materializes the artist's thinking through a handmade effort. It is a deeply physical form of art and the one who exercises it has to have much more than just an idea’s conception and projection. Chuva, currently on exhibition at Appleton Associação Cultural, is an installation made of pieces...
Sculpture materializes the art...
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Galeria Graça Brandão is presenting two exhibitions that are not related to each other whatsoever, with the exception of a hypothetical comparison between two artists radically different in terms of experience and age: Ana Izabel Miranda Rodrigues and José Taborda. We can see Acheron by Ana Isabel Rodrigues on the...
Galeria Graça Brandão is pre...
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Tadao Ando is like a Renaissance man, with several talents. An architect, a former boxer. At Centre Pompidou, he also proves to be a highly skilled photographer and designer, and his thoughts on architecture and urbanism are unique and borderline futuristic, despite his age. Even...
Tadao Ando is like a Renaissan...
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The History of Contemporary Art is still being written. We can trace a narrative line until somewhere in the 70s, or in the 80s if we are bold enough. It is almost easier to look at artists who are part of our daily artistic life...
The History of Contemporary Ar...
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Pedro Sequeira studied jewellery and mineralogy and that is palpable in his work. His jewellery pieces are particularly keen on details, whilst also showing the rawness (in a broader sense) of minerals, of stones, in their texture.The exhibition at Espaço Camões from Livraria Sá da Costa...
Pedro Sequeira studied jewelle...
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Quel Amour!? An imperative question today. This exhibition presents multiple answers and, in many cases, more than an attempt to find answers, it raises and broadens several questions. For Clarice Lispector, love is eclectic. “The rare thing itself felt the warm chest of what can be named Love. (...
Quel Amour!? An imperative qu...
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João Penalva (1949) has a consistent body of work, endeavouring on memorabilia in an almost anthropological manner. There is a stubborn and thorough research methodology in João Penalva, with no stone left unturned: each show of his is a whole compendium, a unique realm between reality and fiction, empowering the visitor's...
João Penalva (1949) has a ...
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