The Opening Response titles a special series of interviews with artists, curators, writers, composers, mediators, and space-makers around the world. Dialoguing within and around the thematics which have rapidly emerged as a consequence of the Covid-19 pandemic, we offer within this frame a differentiated, honest,...
The Opening Response titles a ...
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This is the first of three articles on actresses, creators, directors, performers and activists in Portugal. They are women from several parts of the country, who have chosen the performing arts. They strive for everything: educational work, from childhood to adulthood, the creation of an...
This is the first of three art...
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2D. 3D.No, I don’t mean two-dimensionality or three-dimensionality. I’m talking about the 2-day and 3-day stage seasons of an artistic production. There are several of them. They are multiplied without any understandable criteria. What is the current struggle for alternative spaces that can welcome theatre...
2D. 3D.No, I don’t mean ...
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The importance of Róisín Murphy in contemporary electronic music and the relevance of her lyrical poetry. Word by word.The exuberant and disruptive Róisín Murphy visited Lisbon, in a concert at Lisb-on. A monumental and theatrical performance, with each movement extending itself in time and space,...
The importance of Róisín Mur...
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The Prague Quadrennial’s mission is to work and reflect upon scenography and theatre architecture. In this context, the performative space is thoroughly examined in its several variants and points of view, not only by architects and scenographers, but also by artists and performers.Under the direction...
The Prague Quadrennial’s mis...
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Sorry, this entry is only available in European Portuguese. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.Naquela noite de S. João, estávamos na Suécia de August Strindberg, no...
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Sorry, this entry is only available in European Portuguese. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.Palavras, leva-as o vento, diz o ditado. Aos atores que pisam o...
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You gotta fight for your right to cry or like Sónia Baptista says “use sadness to activate anger and be able to fight for a better and fairer world”. Triste in English from Spanish peels off the layers from the happiness filter until we’re able...
You gotta fight for your right...
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"The child, when a child, asked questions like these:Why am I myself and not you?Why am I here and not there?When did time start and where does space end?Is life under the sun not just a dream?Is this not just the appearance of a world...
"The child, when a child, aske...
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